That's Entertainment : Richard Marx
In this day and age, there doesn’t seem to be successful singer/songwriters out there in commercial radio and ARIA Chart land. Which is weird, because there are so many ‘talent’ shows on the telly. In the 1980’s, there seemed to be heaps of them and one who really springs to mind is Richard Marx.
Having written a number of songs for other artists, Richard Marx began stockpiling some of his tracks that he couldn’t bear to part with for a hoped for solo album. Gaining a record deal, at the age of 24, he released his debut album with a mix of rock pop and ballads that would set the template for his 30 year solo career.
Should’ve Known Better is a perfect slice of 1987 - the production, the drums and bass, the guitar licks - and it’s breezy and good on the ear. Don’t Mean Nothing is a sultry Joe Cocker-wannabe (ironically, it went up against Joe Cocker for a Grammy) with slide guitar from The Eagles’ Joe Walsh. Both tracks are great examples of well created pop rock and are worthy of a spin. The funk Endless Summer Nights sounds like something from a love scene from any late-80’s movie and was another success for the young artist, reaching #2 on the US Billboard Chart and was followed by his fourth single Hold On To The Nights (his first #1 US hit).
I got in to Richard Marx, by all things, Right Here Waiting. An earnest ballad - which I’m a sucker for - it was #1 for five weeks in 1989 and was one of the earliest Cassingles I remember buying. The previous single - the crunchy toe tapper - Satisfied had been a Top 20 success too (in the US, he had three #1s in a row with Hold On To The Nights, Satisfied and Right Here Waiting) - and both Satisfied and Right Here Waiting seemed to be on Video Hits for an eternity.
However his biggest Australian hit would follow in 1992 with Hazard, a song rumour would have it was originally written for John Farnham (and rejected by the Sadie the Cleaning Lady singer). It was Top 10 for 10 weeks (#1 for 3 weeks) and at a time when ABC, 7 and 10 all had Saturday morning music shows, it was played ALL THE TIME. It’s black and white film clip riffed on Twin Peaks (although the lyrics and actual video kinda contradict each other). Take This Heart followed in the wake of Hazard and remains one of his bigger selling and higher placing singles in Australia.
Although Richard Marx would continue to record and release albums and tour constantly, his time at the top of the pop charts had come to an end. He’s still out there releasing finely crafted professional pop that won’t be seen or heard on commercial radio / TV any time soon.
Don’t Mean Nothing https://www.youtube.com/watch?v=k8E_dkESwzg
Should’ve Known Better https://www.youtube.com/watch?v=TpKxH2dDqEM
Endless Summer Nights https://www.youtube.com/watch?v=z9rT2hZwk2k
Right Here Waiting https://www.youtube.com/watch?v=S_E2EHVxNAE
Take This Heart https://www.youtube.com/watch?v=7Wdv7sxdiE0


