Tuesday, 23 December 2014

That's Entertainment : Merry Christmas


So this is Christmas…

Ha!

Another year is hurtling towards its conclusion.  In fact, I don't know how it flew by so quick.

And I know you are all busy, so I'll be brief.

Here's a list of Xmas songs everyone should play at least once.  There are some real gems in here.  And a completely naff Jon Bon Jovi (from 1980) Christmas song for R2-D2 (of Star Wars fame).  It has to be heard to be believed.

Other than that, I hope everyone is pulling a Xmas cracker, decorating their Festivus stick or spinning their dreidel.  

Personally, I've had a charmed 2014.  Alex started school and loved it.  Australia beat England 5-0 in the Ashes.  Souths won the Premiership.  I know there's more…but why bore you, eh?

So to each and all, and your friends, families, co-workers - have a safe, fun and a very Merry Christmas and wonderful New Year's and an absolutely fabbo 2015.

I'll be having some mince tarts and acting like a Ho Ho Ho!

:-)   See you around the traps.

And if you're looking for something to listen to, visit http://giveitaspin76.blogspot.com.au

Peace out!






Slade : Merry Christmas Everybody https://www.youtube.com/watch?v=YxNemfdMnOU

The Darkness : Christmas Time https://www.youtube.com/watch?v=VQhuoY5h2kE

The Waitresses : Christmas Wrapping  https://www.youtube.com/watch?v=nud2TQNahaU

Paul McCartney and Wings : Wonderful Christmas Time https://www.youtube.com/watch?v=V9BZDpni56Y

The Kinks : Father Christmas https://www.youtube.com/watch?v=1Mgwlxtrfgg

Taylor Swift Christmas Must Be Something More https://www.youtube.com/watch?v=9xS72M8UM9s

Tom Petty and the Heartbreakers Christmas All Over Again https://www.youtube.com/watch?v=1EzQu_7UzZk

Queen : Thank God It's Christmas https://www.youtube.com/watch?v=6f1OGWQG9wc

Jon Bon Jovi : R2D2 We Wish You A Merry Christmas https://www.youtube.com/watch?v=dUFZklIOFvg



Thursday, 11 December 2014

That's Entertainment : Julian Lennon


Raise your hand if your dad was a Beatle...

Well, this has been the blessing and the curse of Julian Lennon.

The son of one of the world's BIGGEST pop stars of ALL times, Julian (and his mother) were rejected and left by John Lennon.  Julian grew up in the shadows (it was common place for record labels to encourage pop stars not to admit they were married or even had kids, lest they lose the teenage girl market buying up the 7 inch singles) and spent more time with his 'uncles' Paul, Ringo and George then he ever really did with his father.  And when John was murdered in 1981 before Julian could truly reconcile with his father, you could understand a rich rock star's son bequeathed a trust fund going off the rails.  But to his credit, Julian Lennon did no such thing.

Having grown up with music and helped and encouraged by the other Beatles (amongst others), Julian crafted a niche of his own.  It would be terribly easy to say Julian traded on his looks (he looks and sounds uncannily like John Lennon), his family name or his connections, but that would be trite, sloppy and untrue.  

You see, Julian Lennon was quite gifted in his own right.

From his lauded debut record Valotte, to the much derided (but pop-tastic) follow up album The Secret Value of Daydreaming, Julian Lennon had an amazing ear for a tune and a vocal.  The singles Too Late For Goodbyes and one of my personal faves, Stick Around, were perfect pieces of confection.  However, it would be 1989's Now You're In Heaven, which reached the pointy end of the Aussie Top 10, that won me.  Now You're In Heaven is a delight with a a fantastic B-52's Loveshack beat and wry lyrics.  Yet for all the accusations, it would be Julian's biggest song Saltwater that cements his spot in music history.  Hitting #1 in Australia for 4 weeks in 1992, its his Imagine re-imagined.  In fact, it's cruel to think that the album Saltwater was lifted from (along with the single Help Yourself) would lead to Julian's hiatus for a number of years.

Moving in to philanthropy, good causes and photography, Julian only released material in 1998 and 2011, with the sporadic online single for good measure.  Personally, I think Julian was a wonderful talent who didn't deserve either the derision or criticism he got, just because he was John Lennon's son.  In fact, there are plenty of muso sprogs who make a career in showbiz with very, very little talent.

I suppose, at the end of the day, Julian had a crack, and he released some awesome songs which many easily forget.  In the end, he had the last laugh…living off a portion of his father's estate and royalties, setting him up for life.  And despite what any rock critic or w@nker ever says, he's can still say he's the son of John Lennon, one of the Beatles…and there ain't many people who get to say that on this great big ball of dirt.

Do yourself a favour, check him out.  You won't be disappointed.  

















Stick Around (Extended 12 inch mix) https://www.youtube.com/watch?v=aZ6FyNxk_JA



Thursday, 4 December 2014

That's Entertainment : Bananarama


I heard a rumour.  

And yes, I can tell you it is true.  

I stand accused of love in the first degree...as a fan of Bananarama.

And what's wrong with that?  Seriously.  It's summer time, leading in to the Xmas Party Season, and every corporate Xmas Party should have ONE Bananarama track spun.  And if it's hoity-toity corporate Xmas Party somewhere on the harbour, no credible disc jockey would be worth his or her salt if he/she didn't give…at minimum…Venus a spin.  

As a Bananarama fan, I got on the bandwagon quite late.  How late?  Well WOW! was out and Siobhan Fahey was leaving the trio and Love In The First Degree was topping charts.  Next thing, they've airbrushed in Jacquie O'Sullivan with the remaining pair of Sara Dallin and Keren Woodward, released a career spanning best of and re-recording the vocals for I Want You Back.

These days, they're 'gay icons'  and an act on the "Hits of the Eighties" tours with Rick Astley and Paul Young and passed over as naff, poxy poppets lumped in with the Stock, Aitken and Waterman stable of fabricated hits.

But it wasn't always like this.

Starting off as raffish, post-punk tomboys (caked in makeup) with scruffy, teased hair, bandana head bands and over-alls and Bovva-boots.  In fact, the remnants of the Sex Pistols helped them record their first demo.  Mixing a dash of New Wave counter culture, synth pop and (laughable) social consciences, they released a slew of hits that smashed the charts for most of the years between 1982-1988.  Eventually, they would strip away the 'streetwise' look for more sophisticated feminine glam and a Euro-dance sound.  However, you could never accuse Bananarama of being boring.

Their earliest film clips helped them win air time on MTV in America, where, they are mostly remembered as a 'one hit wonder' act, hitting the Billboard #1 spot with a cover of Shocking Blue's Venus in 1986.  Yet their catalogue - whilst 80's pop - is littered with plenty of gems.  The production was always great and the girls sang in unison, not in harmony, so you could hear the nuances of each vocal very clearly.  Overall, Bananarama were popstars who delivered the whole package - sound, style, image - and sold bucket loads of albums and singles.  In fact, the Guinness Book of World Records lists Bananarama as the all-female group with the most chart entries in the world, a record they still possess.  By the 1990's and 2000's, only Sara and Keren still performed and recorded as Bananarama, and whilst they may release new material, they're pretty much a nostalgia act.

But for mine, it's that trio of later singles - I Head A RumourLove In The First Degree and I Want You Back - that win me over every time.  Poptastic in so so many ways, these are party tunes that deserve to be played loud and fill the dance floor.  Maybe I'm showing my age - I was 11/12 when they came out - but they form a part of my music vocabulary.  Sure, there's nostalgia but when you dive on in, Bananarama are a great female act with heaps of beats and lots of great singles.  And I'm guessing I'm not alone in liking Bananarama either.

So this summer, 'fess up.  When you are at your Xmas soirees, throw down the gauntlet and tell that DJ to whack on some Bananarama.  You might find yourself in a room full of closeted fans just itching to boogie to Venus one more time.




It Ain't What You Do (It's The Way That You Do It) https://www.youtube.com/watch?v=XJonGASrEac


Na Na Hey Hey Kiss Him Goodbye https://www.youtube.com/watch?v=8IUIYwrMyiQ















That's Entertainment : Bros


Nothing screams 1988 like BROS.  
 
Seriously.  They are a microcosm of visuals, sounds, substance and style from that year in the late 1980's.  The denim, the ear rings, the bleached haircuts…it reeks of that period, and not all of it complimentary.  
 
Bursting on to the pop music scene in late 1987, they burnt brilliantly for a year and then there was the slow fade.  Whilst other boy bands like NKOTB, Take That and the Backstreet Boys managed to carve a career that would see them dominate pop charts with a slew of hit singles and have a swag of stratospheric album releases, BROS soared with their massive debut album Push and had measured success with a decent sophomore effort before vanishing from sight. All the more ironic, when BROS' biggest hit was titled When Will I Be Famous? 
 
At the time, you were a fan or you weren't.  School bags were daubed with the band's logo and name, or equally, defaced with homophobic slurs suggesting BROS weren't the full quid.
 
The trio - eye candy twin brothers Matt and Luke Goss [the drummer] and smouldering bassist Craig Logan - didn't wait long for success to come.  The release of their second single When Will I Be Famous? carried a catchy synth line and a begging vocal announcing their arrival to anyone who listened.  Whilst its arguable if the song is poxy or not, it's a delicious slice of pop that is one of those singles that I'll throw on to get a party started.  I suppose, for mine, it was once the fame train arrived for BROS that I jumped off.  But on reflection, they did deliver some gems.  Drop The BoyI Owe You Nothing and I Quit are all great pop songs.  By early 1989, BROS were massive.  They'd adorned all the girlie magazines and Smash Hits.  The videos were on high rotation.  The girls swooned and the fan club - Bros Front - at its peak had over 3 million members.  The Push era climaxed with BROS' 19 consecutive nights at Wembley Stadium, which was also filmed as a television (and video) extravaganza.  Of course there was backlash and the urban myths began.
 
The first casualty was the loss of Craig Logan who left the band in early 1989 (and has gone on to become a music manager - managing none other than P!nk).  Releasing their second album The Time as a duo, BROS once again hit the heights with a number of catchy singles, swish videos and a one-off Wembley gig (which was one of the first pay per view concerts on SKY).  Too Much is a fantastic song and deserves a spin.  And whilst world wide sales were great, they didn't match Push.  Their third album released in 1991 sank without a trace and that was that.  Really, BROS would make a perfect case study of the music industry as a whole…how a band can create its own sound/scene, explode on to the market, reach saturation point, then burn out and disappear.  It's not something the band can do anything about either - you're a hit or you're not - and it must be cruel to be so hot one second, and not the next…and nothing you did changed, it's just the public's tastes switch.  It also hurts when your fan base is the fickle teenage girl, who in the space of 2-3 years goes from a pimply 13-14 year old to a 16-17 year old who doesn't want to be seen as a 'kid' anymore, eschewing their passions of a couple of years ago (plus being in love with a teen pop star at 13 does kinda look desperately uncool at 16).
 
From the ashes, Luke Goss went on to appear in several Hollywood films.  Matt Goss recorded some successful solo material, and in 2013 released a sombre version of When Will I Be Famous? that has to be heard to be believed.  It certainly is the bookend to the original single.  Sometimes, you have to be careful what you wish for.
 
For a long time, I not quite derided BROS, but I paid them scant regard - except for When Will I Be Famous?  It was only when I worked with a fellow who loved BROS that I revisited the Best Of CD I had.  Hell, I even uploaded it on to i-Tunes and forgot about it.  Going back and listening to songs I hadn't listened to in 25 years, it brought back some memories.  And whilst I never had BROS' logo scribbled on my school bag, I can now sit back with the benefit of time and wisdom and appreciate that BROS did indeed have something special.  They had looks, they had pop hooks and they had slick production.  Most of all, they were three young blokes giving it a go.  And for a moment, they were quite literally the BIGGEST band in the world (except maybe in America).  So do yourself a favour.  Give them a few moments of your time.  They might surprise you.
 
When Will I Be Famous?  I can't answer that.  But BROS can.







When Will I Be Famous? [12 inch mix] https://www.youtube.com/watch?v=biee_H-mDgk






Too Much [extended version] https://www.youtube.com/watch?v=7tzlRpi6JP0



Matt Goss - When Will I Be Famous? [2013] https://www.youtube.com/watch?v=4BM9aiURG0g




Thursday, 6 November 2014

Plug It In: The Smashing Pumpkins


The latest from Billy Corgan with Tommy Lee bashing tubs.

Fucking Awesome!


Album out in December 2014.




That's Entertainment : A Flock of Seagulls


There are many things we do in life that one day come back to bite us on the ar$e - things that embarrass us, or come to haunt us.  I'm playing the flippancy card here, so I'm talking pork pie hats, parachute pants, blue eye shadow, puffy sleeve shirts, cartoon character ties and thankfully, come in and out of fashion every decade or so.  Yep, we have all committed atrocities of fashion and taste we would like to forget.  But for some reason, when it comes to music, there is a band that many, many people refuse to acknowledge, let alone confess to buying or listening to any of their songs or LPs.  In fact, mention A Flock of Seagulls to people and they run…so far away…that they have to get away.  Which is quite ironic, because this band went to Number One in Australia and has one of the most aired video clips of all time.

Of course there's been the 'ironic appreciation' but recently there's a bit of a revisionism about A Flock of Seagulls amongst the 'cool school'.  When other bands of the New Romantic / Futurist movement of the early-mid 1980's were lauded for being pioneers and instigators and musical geniuses, A Flock of Seagulls were derided as naff and unworthy of your listening time.  But now the 'cool kids' are turning the tables and arguing for AFOS.  And sure, band leader Mike Score did have that 'haircut' that has been much ridiculed - FriendsThe Wedding Singer, etc - but to focus of the fashion faux pas of the era (when Simon Le Bon and the Duran Duran boys committed style crimes too) is ignorant of the musical prowess A Flock of Seagulls possessed.  I grew up in a house that owned the debut LP.  I Ran and Space Age Love Song and Modern Love Is Automatic were staples.  Telecommunication - a pompous techno-pop freak out is owed a debt by hundreds of synth pop/rock fusions over the past three decades with its wall of sound, cold electronica, delicious guitar line and thumping beat.  

At their height, the band released four long players in five years, and despite being categorised as  'one hit wonders', they did release a number of charting singles.  The self-titled debut is choc-a-block filled with hooks, synth lines, foreboding lyrics and a propulsive beat and rocky guitar licks.  Not only did A Flock of Seagulls appeal as a rock band, they were infectious enough to get the dance floor moving.  Mixing the vocal stylings of Gary Numan (along with his science fiction leanings), these were songs about isolation in the modern world and alluded to dystopias, aliens and the end of the world, but was full of emotion.  

The follow up - Listen - contained one of my fave AFOS songs in Wishing (I Had A Photograph of You).  The second LP actually did more business in the UK than the first, and is littered with electronica gems whilst the third album - The Story of a Young Heart - still did good business.  And while sales are the indicator of success, the breadth and scope of their work cannot be measured nor underestimated.  Sadly, by the time the ambitious Dream Come True arrived in 1986, the band was afflicted by infighting and fracturing at the seems, finding it difficult to retain record label interest and confidence, while losing traction with an audience that was changing its tastes.  By year's end, the band had split.  

For mine, it is the ambitious album track - (Cosmos) The Effect of the Sun - cut from Dream Come True that highlighted what could have been and emphasises the ahead-of-their-time sentiment.  Presciently predicting the genres of trance and chill out by 10-15 years, the song is a sweeping twelve and a half minute epic aural journey.  There's no need for LSD (not that I've used it) when you can sit back and immerse yourself in a total mind bend.  It wouldn't be out of place on any science fiction film's soundtrack from the past twenty years and despite venturing in to a poppier mid section, (Cosmos) The Effect of the Sun is an exclamation point in the catalogue of A Flock of Seagulls.

Ultimately, a crime has occurred.  For too long, A Flock of Seagulls have been criminally undervalued, maligned and left languishing in the playlists of 'cheesy' 'one hit wonder' radio/video formats.  Dig in to their LPs - they're all available on i-tunes or digitally remastered on CD with all the bells and whistles - and you will find a cornucopia of aural treats.  I guarantee you will be surprised, entertained and wonder why you haven't been listening to these guys all your lives.  And if you get in now, you might just sneak in ahead of all the cool kids who one day soon will sing A Flock Of Seagulls praises instead of sneer and laugh about haircuts.






Space Age Love Song https://www.youtube.com/watch?v=21JwyfGH3wE     [poor sound quality but it's the original clip]

Wishing (I Had A Photograph of You) https://www.youtube.com/watch?v=opkzgLMH5MA






The More You Live, The More You Love https://www.youtube.com/watch?v=TROOtt-68F4


(Cosmos) The Effect of the Sun https://www.youtube.com/watch?v=oTxAvgkTvxg




Wednesday, 5 November 2014

That's Entertainment : 1990's Dance (1990-1992)


I don't know why…the things I do…get ya booty on the floor tonight...

This week, I wanted to rent out a small community centre and just play a dance set circa 1990-1992 (of course I couldn't stop there, throwing in a while heap of other stuff).

I'd be a s#it DJ too.  I just chuck on songs.  Songs I'd like.  Maybe smoke a cigarette, sip a Black Russian and wear a Hyper-colour t-shirt and plaid baggy pants and some round-eyed sunglasses (at night!) and a long bring Stussy cap.  

Then I realised, you can't smoke indoors anymore.  And I'd end up all Billy Idol, dancing by myself.  At least I'd like the music…until someone told me to turn it down.  Or off.  Bloody NIMBYs!

So to excite everyone, I'll throw in the mirrorball and punch too, just to entice the punters.

Anyway…I'm feeling all very early 90's retro.  I wanna watch season one of Beverly Hills 90210 and drink 7-Up cause Fido Dido made me do it.  I'd bust some moves, then stop…and pump up the jam!

Ah the memories.  Ha!

If you're not doing much on Saturday night, you'll know where to find me!  And don't put it on Facebook, I don't need 10,000 kiddlywinks turning up…I don't have enough punch to go around.



Technotronic 


Get Up (Before The Night Is Over) https://www.youtube.com/watch?v=a6xDiPubxVU


Guru Josh

Infinity (1990: Time For The Guru) https://www.youtube.com/watch?v=z2CIiES_xxk

Hi Tek 3 feat Ya Kid K



Soho



MC Hammer


Black Box


The Adventures of Stevie V

Dirty Cash (Money Talks)   https://www.youtube.com/watch?v=8OkoQv9Onoc

Rozalla

Everybody's Free (To Feel Good) https://www.youtube.com/watch?v=WI42hQHfbi8


Londonbeat

I've Been Thinking About You https://www.youtube.com/watch?v=dGw3w_njQ4g


KLF





C+C Music Factory

Things That Make You Got Hmmm https://www.youtube.com/watch?v=XF2ayWcJfxo

Here We Go Let's Rock & Roll https://www.youtube.com/watch?v=ZEQydmaPjF0


Marky Mark & The Funky Bunch



Vanilla Ice




Adeva




Snap





The Shamen 

LSI (Love, Sex, Intelligence) https://www.youtube.com/watch?v=8DzGgIURySI


Del The Funkee Homosapien